Creative Drama in Physical Education: A Systematic Review and Thematic Synthesis of National and International Studies

Derleme MakaleYalnız künye

Özet

This study aims to analyze and report on national and international studies on creative drama in physical education from a comparative perspective. By presenting the research designs, sample profiles, intervention durations, and key findings of the studies examined, it seeks to synthesize the relevant literature, identify methodological trends, and highlight potential research gaps. In line with this purpose, the study was designed as a systematic review. A comprehensive literature search was conducted across Google Scholar, Web of Science, Scopus, Dergipark, the YÖK National Thesis Center, and EBSCO. After applying the inclusion and exclusion criteria, a final total of 30 studies was selected for analysis. The analysis of the selected studies was conducted using descriptive content analysis and thematic synthesis. According to the findings, this method emerged as a model that holistically integrates cognitive, affective, and psychomotor domain gains rather than merely teaching technical skills. In conclusion, it was established that creative drama is not merely a playful activity in physical education instruction but rather a pedagogical tool that helps students make sense of their physical movements, supports the socialization process, and facilitates the development of embodied cognition. Therefore, creative drama should be positioned at the center of the pedagogical process in physical education instruction. In teacher training programs, creative drama should be structured in alignment with a curriculum integrated with classroom management, inclusive education, and values education. To ensure the sustainability of this practice, teachers should be supported through leadership training based on creative drama. In terms of research, it is recommended that the field shift toward mixed-methods approaches incorporating longer-term qualitative designs rather than relying predominantly on short-term quantitative studies. Particular attention should be given to under-researched groups such as high school students, professional athletes, and participants in various sports disciplines. At the national level, collaborations with arts institutions will help ensure that creative drama becomes a sustainable and institutionalized pedagogical approach.

Anahtar Kelimeler

RDL Kalıcı Bağlantı (PID)
https://rdlopen.rawdatalibrary.net/r/munzur/6077Resmi atıflarda kullanılan kalıcı adres
DOI
https://doi.org/10.21612/yader.2026.0012Yayıncı resmi DOI adresi
İndeks kayıtları
Kaydın indeks veri tabanlarındaki sayfası (aktarımda alınan kayıt numarasıyla). Erişim, indeksin kendi koşullarına bağlıdır.
Atıflar
TR Dizin
0
Her kaynağın kendi saydığı toplam atıf; aktarım ve zenginleştirme sırasında alındı.
Tam Kayıt
AlanDeğerDil
dc.contributor.authorŞahin, Aykut
dc.date.accessioned2026-10-28T15:11:15.538924649Z
dc.date.available2026-10-28T15:11:15.538924649Z
dc.date.issued2026
dc.description.abstractThis study aims to analyze and report on national and international studies on creative drama in physical education from a comparative perspective. By presenting the research designs, sample profiles, intervention durations, and key findings of the studies examined, it seeks to synthesize the relevant literature, identify methodological trends, and highlight potential research gaps. In line with this purpose, the study was designed as a systematic review. A comprehensive literature search was conducted across Google Scholar, Web of Science, Scopus, Dergipark, the YÖK National Thesis Center, and EBSCO. After applying the inclusion and exclusion criteria, a final total of 30 studies was selected for analysis. The analysis of the selected studies was conducted using descriptive content analysis and thematic synthesis. According to the findings, this method emerged as a model that holistically integrates cognitive, affective, and psychomotor domain gains rather than merely teaching technical skills. In conclusion, it was established that creative drama is not merely a playful activity in physical education instruction but rather a pedagogical tool that helps students make sense of their physical movements, supports the socialization process, and facilitates the development of embodied cognition. Therefore, creative drama should be positioned at the center of the pedagogical process in physical education instruction. In teacher training programs, creative drama should be structured in alignment with a curriculum integrated with classroom management, inclusive education, and values education. To ensure the sustainability of this practice, teachers should be supported through leadership training based on creative drama. In terms of research, it is recommended that the field shift toward mixed-methods approaches incorporating longer-term qualitative designs rather than relying predominantly on short-term quantitative studies. Particular attention should be given to under-researched groups such as high school students, professional athletes, and participants in various sports disciplines. At the national level, collaborations with arts institutions will help ensure that creative drama becomes a sustainable and institutionalized pedagogical approach.
dc.identifier.doi10.21612/yader.2026.0012
dc.identifier.eissn2459-167X
dc.identifier.endpage296
dc.identifier.issn1305-8177
dc.identifier.issue2
dc.identifier.startpage1267
dc.identifier.urihttps://rdlopen.rawdatalibrary.net/r/munzur/6077
dc.identifier.volume21
dc.language.isotr
dc.relation.ispartofYaratıcı Drama Dergisi
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.subjectEğitim, Eğitim Araştırmaları
dc.subjectSpor Bilimleri
dc.titleCreative Drama in Physical Education: A Systematic Review and Thematic Synthesis of National and International Studies
dc.typeReview Article
rdl.citation.trdizin0
rdl.source.indexTRDIZIN