Araştırmacılar(9)

• Aksoy, Tugay
• Çağrı, Duygu
• Erdoğan, Aziz
• Gençtürk, Güldeniz
• Güler, Adem
• Kara, Hüseyin
• Mengüş, Erkan
• Sezer, Semih
• Yıldırım, Tuncay

• MakaleAçık Erişim2024/r/munzur/6333
  The Adventure of Turkish Folk Music with Mass Media in the Context of the Music Industry in Turkey: The Era of Radio and Record

  Kara, Huseyin; Çakır, Mehmet Serkan

  This study historically assessed to what extent Turkish folk music has gained ground in radio and record technology from the mass media. In this context, the study initially drew a general framework of folk music and then reviewed the radio period—the first occasion to perform this genre of music institutionally. It subsequently provided information about the music industry and its development in Türkiye in line with the subject's scope, attempting to exemplify the place of folk music in the record industry. Finally, it analyzed the evolutionary process of "Anatolian Pop," one of the popular music genres of the period that began to gain popularity in Turkey in the 1960s, striving to assess the relationship between this musical genre and folk music by carefully selecting some sample records. As part of the adopted qualitative study approach, the study performed document analysis and subsequently conducted content analysis by listening to representative records, concluding that both the radio and the record industry have provided diversity in folk music production.

  AtıfOpenAlex2·TR Dizin2

  İncele
• MakaleAçık Erişim2021/r/munzur/6680
  The national music policies of early republican period effects to processes emergence of thought of sociology of music in turkey

  Yildirim, Tuncay

  In this study, the Early Republican period national music policies is analyzed impacts to processes emergence the idea of sociology of music in Turkey. The aim of the research, the applied national music policies is put fort impacts processes the emergence the idea of sociology of music in Turkey. Research datas, by using the literature scanning technique and content analysis methods is put together from articles of their wrote about the national music policies between 1923-1944 of some musicologists expressing opinion in this context and sociologist of the period. In this context, the articles of Ziya Gökalp, İsmail Hakkı Baltacıoğlu, Nurettin Şazi Kösemihal, Rauf Yekta Bey, Mahmut Ragıp Gazimihal and Halil Bedii Yönetken are analyzed. As a result of the research the Republican period applied national music policies, by initiating discussions on the sociology of music among musicologists and sociologist of the period, has been seen contributed a positive on the emergence the idea of sociology of music in Turkey.

  AtıfOpenAlex3

  İncele
• MakaleAçık Erişim2021/r/munzur/6582
  The Prevalence of Bağlama in Tunceli in the Context of Music Sociology and Its Relationship with Society’s Belief Structure

  Yildirim, Tuncay

  In this study, a large part of its population consisting of individuals owning of the Alevi faith in Tunceli\rmusic and society relationship are discussed over location and prevalence in society the Baglama’s transmitter\rand carrier main of Alevi music which is an instrument privileged because of the belief images he\rcarries for Alevis. The Bağlama’s of prevalence ın environments home and family of Alevis in Tunceli,\rvalues decreasing and increasing of people who play in the bağlama and these people relationship establish\rbetween Baglama and Alevi faith, is described through analysis of the data obtained using survey\rresearch techniques. Also cultural processes such as preservation of tradition and acculturation position\rof the baglama in Tunceli is briefly mentioned over its prevalence in society of Bağlama.\rIn the study, by random sampling considering differences gender and ageselected randomly people\rhundred sixty five was applied a questionnaire twenty six questions prepared with a person chosen from\rthe public and a music teacher who teaches baglama as well as faculty member statistician and sociologist.\rThe quantitative data obtained were carried out frequency measurements in computer environment\rwith SPSS (Social Package for Social Science) program. As a result of the research, in Tunceli of prevalence\rBağlama acording to other instruments, people establish a close relationship between baglama and\rtheir beliefs, has been determined that the belief elements are supported by the extensiveness and preservation\rof the bağlama through acculturation.

  İncele
• MakaleAçık Erişim2020/r/munzur/6781
  A fıeld research on productıon of the baglama/saz and musıc culture ın tunceli

  Kara, Huseyin; Erdoğan, Göktürk

  Baglama/saz, one of our ancient folk music instruments performed in almost every region of Anatolia, stands on a significant point in teaching and transmission of our traditional music. It is known that the baglama/saz instrument, which has varieties such as Meydan, divan, tanbura and cura and is generally produced from mulberry tree, is begun to be structurally produced by alternative production methods in addition to the traditional ones. Comparison of these alternative production methods with traditional baglama/saz production methods proves for certain that this instrument has a dynamic line and that the potential of this instrument in this sense is open to new sounds. In present article, the historical adventure of baglama/saz and the music culture of Tunceli region are briefly explained and the process of baglama/saz production as well as the questions whether there are alternative/experimental studies in the production of this instrument and what kinds of searches there are, if any, are discussed. The study was designed as a field study within the scope of qualitative research design, and accordingly, literature review, observation and document review were carried out. In addition, the data obtained during face-to-face interviews conducted between 17.10.2018 and 10.01.2019 with source people living in the region were included in the research findings.

  AtıfOpenAlex2·TR Dizin1

  İncele
• MakaleAçık Erişim2020Scopus SJRQ3/r/munzur/6770
  A Phenomenological Approach to the Relationship Between Alawism and Music (Tunceli Example)

  Güray, Cenk; Erdoğan, Aziz; Levendoğlu, Nazife Oya Levendoğlu

  The aim of this study is to understand what kind of features traditional Alawi music has in the context of its forms of performance and structural features, based on Alan Merriam’s view “Music is a stereotype of activities, thoughts and objects in stereotyped sounds”. For this purpose, those who have been both zakir and dede in cems since childhood and experienced construction of the relationship between symbol and meaning in the tradition; Zeynel (Batar) Dede (70), one of the dedes of Celāl Ali Abbas Ocağı, who lives in Koyungölü village of Ovacık district of Tunceli, was the main data source of the study and in-depth interviews with Alawism and music were held with him in December 2019. The interviews were described thematically and the semantic dimension of this music was tried to be illuminated within the scope of the themes that appeared. For the part of the study based on music analysis, the example of the Zaza verbal Shah Hatayi phrase compiled from Zeynel Dede was set out and the semantic relationship of the Alawi-specific symbols with the structural elements of the music was analysed through this phrase. In conclusion, based on the example of Zeynel Dede and in the context of the perception of the relationships established by the symbols, such as Haq-Muhammad-Ali, Yol, Hızır, Ahl al-bayt, Pir, Murshid and Karbalā with music, it has been observed that a common sense of history has gained importance as the demonstrators built through music. It has been understood that the symbols emerging in this context have turned into a form of stereotypical expressions in terms of their relationship with music and that such a reflection has brought ontological dimension to the cultural balance transmitted from past to present in the triangle of symbol-perception-semantic world.

  AtıfOpenAlex4·TR Dizin1

  İncele
• MakaleYalnız künye2019/r/munzur/5048
  Tunceli aleviliğinde inanç-müzik ilişkisi üzerine bir alan araştırması

  Erdoğan, Göktürk; Mengüş, Erkan; Kara, Huseyin

  Tunceli’de alevi inancının şekillenmesi ve aktarılmasında müzikpratikleri, sözlü unsurlarla oluşan kültürel belleğe dair inanç vetoplumsal değerler arasında önemli bir köprü kurmaktadır. Nüfusununbüyük bir bölümü Alevi olan ve konumu gereği Alevilerin Anadolu’dayaşadığı diğer bölgelere nazaran daha homojen bir kültürel yapıya sahipolan Tunceli’de, Alevi inanç geleneğinin mistik (içsel) yapısına ilişkinbilgilerin anlaşılabilmesinde başvurulacak belki de en önemli alan hiçşüphesiz müzik kültürüdür. İbadet ve sosyal yaşam içerisindeçoğunlukla bağlama etrafında bütünleşen müzik pratikleri, Tunceli’dekiinanç sisteminin topluluk tarafından ortak bir paydaya dönüşmesi vegeleneğin günümüze dek aktarılmasını da mümkün kılmıştır. Tunceli’yiinanç açısından özel kılan bir diğer özellik ise bölge halkı tarafındankutsal sayılan “Munzur Baba”, “Sultan Hıdır/Hızır Baba” ve “DüzgünBaba” gibi kutsal ziyaret yerlerinin olmasıdır. Bölge halkının çeşitlivesilelerle ziyaret ettiği bu yerler, Tunceli’deki Alevi inancının mistikyönden kuvvetli referanslara sahip olduğunu da göstermektedir. Tarihi,kültürel ve coğrafi yapısı düşünüldüğünde Anadolu kültür havzasındapek çok inanç biçimini içinde barındıran bu bölge, inançla bütünleşenmüzikal pratikler açısından da oldukça zengindir. Bu çalışma TunceliAleviliğinde inanç-müzik ilişkisi üzerine kurgulanmış bir alanaraştırmasıdır. Bölgenin çok kültürlü yapısı ve geleneksel müzikbiçimleri, tarihsel süreçte Alevilikle birlikte şekillenen bu bölgede müzik ve inanç arasında organik bir ilişkiyi de araştırmaya değer kılmaktadır.Çalışmanın odak noktası ise bölgeye dair mistik ve kültürel söylemlerinve uygulamaların Alevi müzik anlayışında nasıl yer tuttuğu ve TunceliAleviliğinde inancın müzikle olan ilişkisinin düşünsel ve eylemsel boyuttahangi uygulamaları beraberinde getirdiğidir. Nitel araştırma yöntemlerikullanılarak gözlem ve kişisel görüşmelerle araştırılmaya çalışılan konu,sonuçları açısından bölgeye dair geleneksel müzik kültürünü ve bölgeninmüzikal kodlarını inanç üzerinden ortaya koymaktadır.

  AtıfTR Dizin5

  İncele
• MakaleYalnız künye2016/r/munzur/5451
  Music Sociology Of Republic Period Specifically Musiki Mecmuası (1-10th Numbers)

  Yildirim, Tuncay

  Musiki Mecmuası is comes at the beginning periodical music broadcasts longest published of the Republic period. Beginning in 1948, the magazine which closely witnessed events of all kinds living in the modernization process of Turkish music, both the articles and the other aspects are included in data posibility make determinations status explanatory about charecter of music sociology of the Republic period. Because the newspapers and magazines written about music are comes at the begining of written sources recording with the current data music sociology movements of a period. Therefore, Musiki Mecmuası selected as sample of the research and worked depicted character the music sociology of Republic period act on numbers magazine 110th. About music sociology short information given ımmediately after from entry is evaluated with music sociology perspective analytically under titles given by us detail all kinds of magazines, firstly to be articles. In the last chapter of the study is discussed place field music sociology of Republic period categorically data obtained use scanning method and text analysis method

  AtıfTR Dizin1

  İncele