From Material to Meaning: The Sensory and Conceptual Life of Silk in Turkish

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This article examines silk as a meaning-generating material in Turkish, where sensory, material, and cultural dimensions intersect. Rather than treating silk as a mere lexical item, it approaches ipek as a semantic and conceptual field shaped by the sensory properties of textile materiality. Drawing on lexical, historical, and semantic evidence, the study shows that ipek refers not only to a fiber but also to qualities such as softness, brightness, delicacy, and visual appeal. These qualities enable the term to extend beyond its literal meaning into broader domains, including the body, plants, animals, objects, technical terminology, and place names. Expressions like “silk hair” and “silk skin” demonstrate how silk functions as a medium for articulating embodied perception and aesthetic value. The article argues that ipek holds a distinctive position in Turkish as both a material substance and a cultural signifier. By tracing the semantic and conceptual range of ipek, the study contributes to textile studies by showing how cloth persists in language as a carrier of sensory memory, bodily imagination, and cultural meaning, offering a linguistic and cultural perspective within material and visual culture.

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dc.contributor.authorKorkut, Gizem
dc.contributor.authorBayraktar Erten, Nesrin
dc.date.accessioned2026-10-28T14:53:51.648750748Z
dc.date.available2026-10-28T14:53:51.648750748Z
dc.date.issued2026
dc.description.abstractThis article examines silk as a meaning-generating material in Turkish, where sensory, material, and cultural dimensions intersect. Rather than treating silk as a mere lexical item, it approaches ipek as a semantic and conceptual field shaped by the sensory properties of textile materiality. Drawing on lexical, historical, and semantic evidence, the study shows that ipek refers not only to a fiber but also to qualities such as softness, brightness, delicacy, and visual appeal. These qualities enable the term to extend beyond its literal meaning into broader domains, including the body, plants, animals, objects, technical terminology, and place names. Expressions like “silk hair” and “silk skin” demonstrate how silk functions as a medium for articulating embodied perception and aesthetic value. The article argues that ipek holds a distinctive position in Turkish as both a material substance and a cultural signifier. By tracing the semantic and conceptual range of ipek, the study contributes to textile studies by showing how cloth persists in language as a carrier of sensory memory, bodily imagination, and cultural meaning, offering a linguistic and cultural perspective within material and visual culture.
dc.identifier.doi10.1080/14759756.2026.2707198
dc.identifier.eissn1751-8350
dc.identifier.issn1475-9756
dc.identifier.scopus2-s2.0-105048815553
dc.identifier.urihttps://rdlopen.rawdatalibrary.net/r/munzur/1052
dc.identifier.wosWOS:001861026200001
dc.language.isoen
dc.publisherTaylor and Francis Ltd.
dc.relation.ispartofTextile: The Journal of Cloth and Culture
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.subjectembodiment
dc.subjectmateriality
dc.subjectsensory meaning
dc.subjectsilk
dc.subject.classificationHumanities, Multidisciplinary
dc.subject.classificationArts & Humanities - Other Topics
dc.titleFrom Material to Meaning: The Sensory and Conceptual Life of Silk in Turkish
dc.typeArticle
rdl.citation.openalex0
rdl.citation.scopus0
rdl.citation.wos0
rdl.oa.statusclosed
rdl.publication.statusinPress
rdl.scopus.quartileQ2
rdl.source.indexSCOPUS
rdl.source.indexWOS
rdl.wos.indexArts & Humanities Citation Index (A&HCI)